“Chocolate is very emotional,” says Tony Bilsborough, Cadbury’s head of
external communications. “It’s a bit like Proust’s madeleines – it takes you
back to your childhood. Often, the letters we get are wonderful. When people
write about their love of the chocolate bars of yesteryear, they can be almost
autobiographical.”
Graham Hales, UK chief executive of branding consultancy Interbrand, says:
“Discontinued consumer products can become collectors’ items for people and you
see them going for vast amounts of money on eBay.”
As well as chocolate bars, consumer devotion tends to centre on other
fast-moving consumer goods such as soft drinks and ice-cream. It can also extend
to items such as cosmetics and beauty products and, occasionally, manifests
itself in more unexpected places.
In March
Google announced
that it was closing a number of its services as part of its “spring cleaning”.
Most of these went largely unremarked, but the
closure
of the web feed aggregator Google Reader caused an outcry from disappointed
users.
Google’s experience points to a key difficulty with discontinuing products.
While most of them slip away quietly, every so often there is a significant and
unexpected consumer backlash. This may now be hugely amplified by social media,
presenting communications departments with new challenges.
Businesses
considering killing off brands need to think about whether and how they
break the news to loyal customers and how they might cope with calls for the
brand to be brought back.
“Generally, we wouldn’t advertise a withdrawal,” says Mr Bilsborough.
“Although we do talk to the trade so they can plan stock.”
Philip Graves, author of
Consumer.ology, a book about market
research and the psychology of shopping, agrees that a quiet withdrawal is
better. “The best thing you can do is be as surreptitious as possible. Any time
the organisation draws attention to what it’s doing with brands you risk a
backlash. Typically, you’ll get two consumer responses. First, you get their
attention and second, you trigger loss-aversion. It’s a little like telling kids
you’re going to throw their toys away, even though they haven’t played with them
for six months . . . if you just chuck them out, they probably won’t
notice.”
When consumers do notice, he says, “you need to engage with them and the
response needs to be congruent with the brand. Say you understand they love this
product, but there are not enough people who support it. The people who deal
with this should be empowered to do so. Even if the person complaining is
someone being an idiot on a public forum, you should respond well.”
Mr Hales notes that businesses have become more adept at dealing with calls
for resurrections on forums such as Facebook and Twitter. “In the early days of
social media, companies treated it as a conventional medium and tended to be
arrogant,” he says. “But now they no longer preach at consumers.”
He adds that airing the possibility of a brand’s demise can be useful if a
company is still pondering whether to withdraw a product. “You can create a
situation where people talk about it being under consideration and even create
campaigns to save it,” he says. This needs to be undertaken in good faith, and
can only be done once.
Sometimes, however, the calls for reintroduction of a brand that has already
been discontinued – or has even been discontinued for several years – become
overwhelming. Mr Bilsborough points to Wispa bars in the UK, which were first
introduced in 1981. “By the late 1990s, Wispa sales were very poor, so we
discontinued it in 2003. Within 18 months, people were asking us to bring it
back.
“Obviously, you can’t bring a product back for 20 people, but with Wispa
there was a real groundswell and we saw a lot of online media then, later,
social media. So in 2008 we bought it back,” he says.
However, mindful that there is a difference between making a lot of noise and
buying a lot of chocolate, Cadbury brought Wispa back initially as a limited
edition. “We said if it’s successful we’ll continue it. It flew off the shelves
and has been at the top of the chocolate charts ever since.”
Nestlé’s Vice
Versas, a UK brand, have performed even more of a complicated dance with
consumer opinion. The brand launched in 1991, relaunched in 2004 and then
discontinued in 2005. In 2012, it was relaunched again. Social media played a
big role here, too: the company decided to reintroduce Vice Versas after seeing
29 different Facebook pages with more than 10,000 members dedicated to bringing
the chocolate sweets back.
While social media tends to be where consumers agitate for
brands to be brought back, companies must also keep open the traditional lines
of communication – via sales reps, for instance.
Diageo withdrew
the Malacca variant of its Tanqueray gin in the US in 2003. However, the calls
for its reintroduction from mixologists and cocktail drinkers were such that it
bought the gin back. “We recently reintroduced Tanqueray Malacca as a limited
edition, available only for bartenders in top bars in North America, the UK and
Spain, where gin cocktail culture is the most buoyant,” explains Edward
Pilkington, Diageo’s global category director for vodka, gin and rum.
Some business have museums – physical or online – where customers can look at
bygone brands. “Having a reminder of discontinued products isn’t a bad idea, as
it enables you to see if there’s a lot of interest,” says Mr Graves. “If there
is, you might bring them back or let them influence future launches.”
There is also the possibility of limited resurrections, which many businesses
undertake to satfisy customers who miss brands and gauge interest. In the US,
Estée Lauder has a
“Gone But Not Forgotten” helpline, which promises to help customers track down
remaining stocks of products discontinued in the past two years.
But, if the business in question is offering nothing, customers have to seek
solace in consumer-generated Facebook pages and forums where they can gather
with like-minded people to mourn the brand or flavour they still miss.
One company, however, takes a very unusual approach to helping bereft
consumers achieve closure. The Vermont-based ice-cream maker Ben & Jerry’s
has a “flavour graveyard” behind its factory, with granite headstones
commemorating varieties, such as Georgia Peach and Sugar Plum, that are no
longer made.
“Our factory gets 300,000 visitors a year,” explains spokesperson Elizabeth
Stewart. “Diehard fans love their flavours, miss them and really do mourn their
passing.”
The response to the graveyard, she adds, has been great. “You see visitors
down on their knees and I think people have even cried. Flowers are left quite
regularly.” And occasionally, a much-mourned flavour does rise from the dead.
“When we resurrect a flavour, we usually remove the headstone,” explains Ms
Stewart.
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