US Record Companies Suing AI Music Generators For Copyright Infringement

It appears that AI companies, once again, have used the intellectual property of others and assumed they could get away with it, because, you know, progress, money, everyone benefits, etc - the usual Silicon Valley memes for doing whatever you want. 

But the weight of yet another tranche of lawsuits targeting AI will add to the chilling effect the industry has denied but can no longer ignore. JL

Kate Knibbs reports in Wired:

A group of music labels including Universal Music Group, Warner Music Group, and Sony Music Group has filed lawsuits in US federal court on Monday morning alleging copyright infringement on a “massive scale.” The AI companies have not publicly disclosed what they trained their generators on. In the complaints, the music labels state that they were independently able to prompt Suno into producing outputs that “match” copyrighted work from artists ranging from ABBA to Jason Derulo.

 The music industry has officially declared war on Suno and Udio, two of the most prominent AI music generators. A group of music labels including Universal Music Group, Warner Music Group, and Sony Music Group has filed lawsuits in US federal court on Monday morning alleging copyright infringement on a “massive scale.”

The plaintiffs seek damages up to $150,000 per work infringed. The lawsuit against Suno is filed in Massachusetts, while the case against Udio’s parent company Uncharted Inc. was filed in New York. Suno and Udio did not immediately respond to a request to comment.

“Unlicensed services like Suno and Udio that claim it’s ‘fair’ to copy an artist’s life’s work and exploit it for their own profit without consent or pay set back the promise of genuinely innovative AI for us all,” Recording Industry Association of America chair and CEO Mitch Glazier said in a press release.

The companies have not publicly disclosed what they trained their generators on. Ed Newton-Rex, a former AI executive who now runs the ethical AI nonprofit Fairly Trained, has written extensively about his experiments with Suno and Udio; Newton-Rex found that he could generate music that “bears a striking resemblance to copyright songs.” In the complaints, the music labels state that they were independently able to prompt Suno into producing outputs that “match” copyrighted work from artists ranging from ABBA to Jason Derulo.

One example provided in the lawsuit describes how the labels generated songs extremely similar to Chuck Berry’s 1958 rock hit “Johnny B. Goode” in Suno by using prompts like “1950s rock and roll, rhythm & blues, 12 bar blues, rockabilly, energetic male vocalist, singer guitarist,” along with snippets of the song’s lyrics. One song almost exactly replicated the “Go, Johnny, go” chorus; the plaintiffs attached side-by-side transcriptions of the scores and argued that such overlap was only possible because Suno had trained on copyrighted work.

The Udio lawsuit offers similar examples, noting that the labels were able to generate a dozen outputs resembling Mariah Carey’s perennial hit “All I Want for Christmas Is You.” It also offers a side-by-side comparison of music and lyrics, and notes that Mariah Carey soundalikes generated by Udio have already caught the attention of the public.

RIAA chief legal officer Ken Doroshow says Suno and Udio are trying to conceal “the full scope of their infringement.” According to the complaint against Suno, the AI company did not deny that it used copyrighted materials in its training data when asked in prelitigation correspondence, but instead said that the training data is “confidential business information.”

"Our technology is transformative; it is designed to generate completely new outputs, not to memorize and regurgitate pre-existing content. That is why we don’t allow user prompts that reference specific artists," said Suno CEO Mikey Shulman in a statement. "We would have been happy to explain this to the corporate record labels that filed this lawsuit (and in fact, we tried to do so), but instead of entertaining a good faith discussion, they’ve reverted to their old lawyer-led playbook."

 

Many leading generative AI companies are under intense scrutiny for how they train their tools. It’s common for these companies to argue that they are shielded by the “fair use” doctrine, which permits infringement in certain circumstances. It remains to be seen whether the court system will agree; major players like OpenAI are already facing a host of copyright infringement lawsuits from artists, writers, programmers, and other rights holders.

This isn’t the first time the music labels have entered the fray against AI companies. Universal Music Group filed a copyright lawsuit against Anthropic last year, alleging copyright infringement for training its chatbot Claude on artists’ lyrics without permission. But this new set of cases is notable because it addresses music as well as lyrics, which are often treated like other written text in the legal sphere.

This doesn’t mean that the labels are wholly opposed to AI. In fact, many are simultaneously working on projects with AI companies; UMG, for example, just announced a partnership with voice cloning startup SoundLabs. The issue here is what they consider to be the appropriation of intellectual property without a commercial return.

The music industry is still haunted by the specter of Napster, and the rise of AI-generated music introduces several possible competitive threats to their business models; right now, for example, nobody at a label sees royalties for an AI-generated song from Sudo or Udio, even if it resembles their work. “Synthetic musical outputs could saturate the market with machine-generated content that will directly compete with, cheapen, and ultimately drown out the genuine sound recordings on which the service is built,” the labels allege in their complaint.

The complaints underline a growing consensus in the music industry that licensing is the only proper way forward. “There is room for AI and human creators to forge a sustainable, complementary relationship,” the Suno complaint says. “This can and should be achieved through the well-established mechanism of free-market licensing that ensures proper respect for copyright owners.”